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Cleopatra Ii

Cleopatra II. (Griechisch: Κλεοπάτρα; ca. v. Chr. - / v. Chr.) War eine Königin des ptolemäischen Ägypten, die von bis v. Große Segelyacht Jeanneau 53 Cleopatra II für Charter von Basis Trogir - Marina Baotić – Kroatien. Diese 6-Kabinen Jacht nimmt 12 Personen an Bord. Mieten Sie ein Jeanneau 53 online. 6 Kabinen, 12 Personen, 16,, Jahr Life jackets, Safety harnesses, Cockpit table, Swimming ladder, Outboard.

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Jeanneau 53, 5 kabinen zum 12 Menschen Preis von € pro Woche - 5 + 1 cab., Cleopatra II, | Yachtcharter Kroatien. Cleopatra II and III: The queens of Ptolemy VI and VIII as guarantors of kingship and rivals for power. Minas-Nerpel, Martina. In: Jördens. Kleopatra II. (* um v. Chr.; † oder v. Chr.) war eine Königin von Ägypten aus der Dynastie der Ptolemäer. In ihrer Jugend erlebte sie den erst auf​.

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Cleopatra Ii

After her suicide, Cleopatra's three surviving children, Cleopatra Selene II, Alexander Helios, and Ptolemy Philadelphos, were sent to Rome with Octavian's sister Octavia the Younger , a former wife of their father, as their guardian.

Although almost 50 ancient works of Roman historiography mention Cleopatra, these often include only terse accounts of the Battle of Actium, her suicide, and Augustan propaganda about her personal deficiencies.

Cleopatra is barely mentioned in De Bello Alexandrino , the memoirs of an unknown staff officer who served under Caesar. Cleopatra's gender has perhaps led to her depiction as a minor if not insignificant figure in ancient, medieval, and even modern historiography about ancient Egypt and the Greco-Roman world.

Cleopatra was depicted in various ancient works of art, in the Egyptian as well as Hellenistic-Greek and Roman styles.

For instance, a large gilded bronze statue of Cleopatra once existed inside the Temple of Venus Genetrix in Rome, the first time that a living person had their statue placed next to that of a deity in a Roman temple.

Since the s scholars have debated whether or not the Esquiline Venus —discovered in on the Esquiline Hill in Rome and housed in the Palazzo dei Conservatori of the Capitoline Museums —is a depiction of Cleopatra, based on the statue's hairstyle and facial features , apparent royal diadem worn over the head, and the uraeus Egyptian cobra wrapped around the base.

Surviving coinage of Cleopatra's reign include specimens from every regnal year, from 51 to 30 BC. The inscriptions on the coins are written in Greek, but also in the nominative case of Roman coins rather than the genitive case of Greek coins, in addition to having the letters placed in a circular fashion along the edges of the coin instead of across it horizontally or vertically as was customary for Greek ones.

Various coins, such as a silver tetradrachm minted sometime after Cleopatra's marriage with Antony in 37 BC, depict her wearing a royal diadem and a 'melon' hairstyle.

Of the surviving Greco-Roman-style busts and heads of Cleopatra, [note 66] the sculpture known as the " Berlin Cleopatra ", located in the Antikensammlung Berlin collection at the Altes Museum, possesses her full nose, whereas the head known as the " Vatican Cleopatra ", located in the Vatican Museums, is damaged with a missing nose.

Other possible sculpted depictions of Cleopatra include one in the British Museum , London, made of limestone, which perhaps only depicts a woman in her entourage during her trip to Rome.

Roller speculates that the British Museum head, along with those in the Egyptian Museum , Cairo, the Capitoline Museums, and in the private collection of Maurice Nahmen, while having similar facial features and hairstyles as the Berlin portrait but lacking a royal diadem, most likely represent members of the royal court or even Roman women imitating Cleopatra's popular hairstyle.

Cleopatra, mid-1st century BC, with a "melon" hairstyle and Hellenistic royal diadem worn over her head, now in the Vatican Museums [1] [3] []. Cleopatra, mid-1st century BC, showing Cleopatra with a "melon" hairstyle and Hellenistic royal diadem worn over the head, now in the Altes Museum [1] [3] [].

In the House of Marcus Fabius Rufus at Pompeii , Italy, a mid-1st century BC Second Style wall painting of the goddess Venus holding a cupid near massive temple doors is most likely a depiction of Cleopatra as Venus Genetrix with her son Caesarion.

Another painting from Pompeii , dated to the early 1st century AD and located in the House of Giuseppe II, contains a possible depiction of Cleopatra with her son Caesarion, both wearing royal diadems while she reclines and consumes poison in an act of suicide.

In a now lost encaustic painting was discovered in the Temple of Serapis at Hadrian's Villa , near Tivoli, Lazio , Italy, that depicted Cleopatra committing suicide with an asp biting her bare chest.

A Roman panel painting from Herculaneum , Italy, dated to the 1st century AD possibly depicts Cleopatra. The Portland Vase , a Roman cameo glass vase dated to the Augustan period and now in the British Museum, includes a possible depiction of Cleopatra with Antony.

The Bust of Cleopatra in the Royal Ontario Museum represents a bust of Cleopatra in the Egyptian style.

In modern times Cleopatra has become an icon of popular culture , [] a reputation shaped by theatrical representations dating back to the Renaissance as well as paintings and films.

Cleopatra appeared in miniatures for illuminated manuscripts , such as a depiction of her and Antony lying in a Gothic-style tomb by the Boucicaut Master in In the performing arts , the death of Elizabeth I of England in , and the German publication in of alleged letters of Cleopatra, inspired Samuel Daniel to alter and republish his play Cleopatra in In Victorian Britain , Cleopatra was highly associated with many aspects of ancient Egyptian culture and her image was used to market various household products, including oil lamps, lithographs , postcards and cigarettes.

Burnand 's Antony and Cleopatra offered satirical depictions of the queen connecting her and the environment she lived in with the modern age.

Whereas myths about Cleopatra persist in popular media, important aspects of her career go largely unnoticed, such as her command of naval forces, administrative acts, and publications on ancient Greek medicine.

Rowland, who highlights that the "Berenice called Cleopatra" cited by the 3rd- or 4th-century female Roman physician Metrodora was likely conflated by medieval scholars as referring to Cleopatra.

Cleopatra belonged to the Macedonian Greek dynasty of the Ptolemies , [8] [] [] [note 76] their European origins tracing back to northern Greece.

Cleopatra I Syra was the only member of the Ptolemaic dynasty known for certain to have introduced some non-Greek ancestry. Roller speculates that Cleopatra could have been the daughter of a theoretical half-Macedonian-Greek, half-Egyptian woman from Memphis in northern Egypt belonging to a family of priests dedicated to Ptah a hypothesis not generally accepted in scholarship , [note 84] but contends that whatever Cleopatra's ancestry, she valued her Greek Ptolemaic heritage the most.

Claims that Cleopatra was an illegitimate child never appeared in Roman propaganda against her. From Wikipedia, the free encyclopedia.

For other uses, see Cleopatra disambiguation. The Berlin Cleopatra , a Roman sculpture of Cleopatra wearing a royal diadem , mid-1st century BC around the time of her visits to Rome in 46—44 BC , discovered in an Italian villa along the Via Appia and now located in the Altes Museum in Germany.

Ptolemy XII Auletes Ptolemy XIII Theos Philopator Ptolemy XIV Ptolemy XV Caesarion. Unlocated tomb probably in Egypt. Ptolemy XIII Theos Philopator Ptolemy XIV Mark Antony.

Caesarion Alexander Helios Cleopatra Selene II Ptolemy Philadelphus. Main article: Early life of Cleopatra. Further information: First Triumvirate. Main articles: Early life of Cleopatra and Reign of Cleopatra.

Left: Cleopatra dressed as a pharaoh and presenting offerings to the goddess Isis , on a limestone stele dedicated by a Greek man named Onnophris, dated 51 BC, and located in the Louvre , Paris.

Main article: Reign of Cleopatra. Further information: Military campaigns of Julius Caesar , Siege of Alexandria 47 BC , Battle of the Nile 47 BC , and Caesareum of Alexandria.

Further information: Liberators' civil war. An ancient Roman sculpture possibly depicting either Cleopatra of Ptolemaic Egypt , [] [] [note 47] or her daughter, Cleopatra Selene II , Queen of Mauretania , [] located in the Archaeological Museum of Cherchell , Algeria.

Main articles: Donations of Alexandria and Reign of Cleopatra. Main articles: Battle of Actium and Reign of Cleopatra. Left: A silver tetradrachm of Cleopatra minted at Seleucia Pieria , Syria.

Main article: Death of Cleopatra. Further information: Epaphroditus freedman of Augustus and Tomb of Antony and Cleopatra. Further information: Ptolemaic coinage and Ancient Greek coinage.

Left: A Roman head of either Cleopatra or her daughter Cleopatra Selene II , Queen of Mauretania , from the late 1st century BC, located in the Archaeological Museum of Cherchell , Algeria [] [] [] [note 47].

Further information: Roman historiography , Greek historiography , Latin literature , and Latin poetry. Further information: List of cultural depictions of Cleopatra.

Further information: Roman portraiture , Roman sculpture , Esquiline Venus , and Sleeping Ariadne. Left: An Egyptian statue of either Arsinoe II or Cleopatra as an Egyptian goddess in black basalt from the second half of the 1st century BC, [] located in the Hermitage Museum , Saint Petersburg.

Further information: Ptolemaic coinage , Roman currency , and Ancient Greek coinage. An ancient Roman portrait head , c. A Roman Second Style painting in the House of Marcus Fabius Rufus at Pompeii , Italy, depicting Cleopatra as Venus Genetrix and her son Caesarion as a cupid , mid-1st century BC [] [].

A steel engraving published by John Sartain in left depicting the now lost painted death portrait of Cleopatra, an encaustic painting discovered in in the ancient Roman ruins of the Egyptian temple of Serapis at Hadrian's Villa in Tivoli, Lazio ; [] she is seen here wearing the knotted garment of Isis corresponding with Plutarch 's description of her wearing the robes of Isis , [] as well as the radiant crown of the Ptolemaic rulers such as Ptolemy V pictured to the right in a golden octodrachm minted in — BC.

Ancient Roman fresco in the Pompeian Third Style possibly depicting Cleopatra, from the House of the Orchard at Pompeii , Italy, mid-1st century AD [56].

Further information: Portland Vase. Further information: Medieval art , Medieval literature , Renaissance art , Renaissance literature , and Early Modern literature.

Further information: List of cultural depictions of Cleopatra , History of modern literature , and Egyptomania. Further information: Ancient Greek literature and Ancient Egyptian literature.

See also: Cleopatra race controversy. Left: A Hellenistic bust of Ptolemy I Soter , now in the Louvre , Paris.

Biography portal History portal Ancient Egypt portal Ancient Rome portal Ancient Greece portal. Burstein , p. Those in favor of claiming her death occurred on 10 August 30 BC include Roller , pp.

However, Duane W. Roller , relaying Theodore Cressy Skeat , affirms that Caesarion's reign "was essentially a fiction created by Egyptian chronographers to close the gap between [Cleopatra's] death and official Roman control of Egypt under the new pharaoh, Octavian ", citing, for instance, the Stromata by Clement of Alexandria Roller , pp.

Retrieved 21 October This area had long been a bone of contention, having both been lost and won back by Antiochus IV 's father, Antiochus III.

Although Antiochus III had recovered Palestine in war , he endowered his daughter Cleopatra I with Palestine when he gave her in marriage to Ptolemy V, and the region reverted back to Ptolemaic control.

When Antiochus IV decided to exploit the weak reign of his nephew and niece to reclaim Palestine, he was opposed by Ptolemy VI Declaring himself and his sister-wife Cleopatra II no longer subject to a regency although he was still in his mid-teens , Ptolemy VI followed with an attack of his own on Palestine.

This campaign, led as it was by an inexperienced general, was a disaster. Defeated by Antiochus IV, Ptolemy VI fled Palestine in such confusion that he did not even trust in his ability to return to Egypt.

Rather, he headed for sanctuary on the sacred Aegean island of Samothrace—a destination he never reached, for the fleet of Antiochus captured him anyway.

The military failure, all the more damaging because of Ptolemy VI's "cowardly" flight, led to a revolution in Alexandria where the population briefly replaced Ptolemy VI, both as king and as the husband of Cleopatra II, with their brother Ptolemy VIII.

After the capture of Ptolemy VI, Antiochus seems to have had ambitions on the Egyptian throne for himself until he learned of the accession of Ptolemy VIII.

Thereafter, he invaded Egypt to return his recent antagonist, Ptolemy VI, to the throne. Initially successful, Antiochus left Egypt in with Ptolemy VI reunited with Cleopatra and reinstalled on the throne, and with a strong Seleucid garrison in Pelusium the fortress that defended Egypt's frontier from Syria.

For Antiochus, there was influence to be gained through a manipulation of the rivalry engulfing the Ptolemaic house, that is, until more calculating heads held sway in Alexandria.

Knowing that they needed a foreign champion to check Antiochus IV's ambitions in Egypt, Ptolemy VI and Cleopatra II sent an embassy to Rome to request protection from Seleucid Syria.

Responding favorably to the request, in the Romans sent an embassy under Gaius Popillius Laenus to demand that the newly returned Antiochus IV leave Egypt for good.

Knowing that the Romans had already soundly defeated his father, and also knowing that they had recently crushed the Macedonians in Europe under Perseus, Antiochus caved in to the Roman ambassador and left Egypt permanently.

In the next year, his garrison on Cyprus was also expelled and that island was returned to its Ptolemaic masters.

With the foreign threat eased, Rome then worked out a compromise intended to keep Syria out of Egypt's affairs: it was agreed that Egypt should be ruled by the trinity of siblings—Ptolemy VI, Cleopatra II, and Ptolemy VIII.

This Roman action began a long association between Rome and the Ptolemies, which had the effect of establishing Rome's right to intercede in Egyptian affairs—a right that was to grow until Egypt became a part of the Roman Empire.

Cleopatra II was initially cited as a full equal of her husband in the original petition against Antiochus IV before the Roman Senate, and her status was confirmed in Egyptian documents shortly thereafter.

This made Cleopatra II the first Ptolemaic queen to gain full political equality with a reigning king—actually, in this case, with two kings. Exactly why she became so established is a matter of conjecture, but most likely she had a talent for political affairs and was considered by all concerned as essential to the continued collaboration of Ptolemy VI and Ptolemy VIII.

In addition, Cleopatra II clearly was more popular among her subjects than either of her brothers, thus conjuring up images of her mother whose memory was a significant legitimizing factor behind this generation of Ptolemies.

The three monarchs collectively ruled all of Egypt's possessions until violence flared between Ptolemies VI and VIII in Play free Arcade games in your browser Play free Card games in your browser Play free Casino games in your browser Play free Match-3 games in your browser Play free Puzzle games in your browser Play free Solitaire games in your browser Play free Sports games in your browser Play free Word games in your browser.

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